Chinese Niche Film Festivals explores how Chinese independent filmmakers leverage inland film festivals to carve out autonomous spaces, strategically negotiating state power and market logic to reshape contemporary cultural geography while navigating the persistent spatial hierarchies between coastal metropolises and the inland.

Enriching established frameworks of post-industrial development, this book provides a multi-scalar analysis of regional inequality and cultural governance in inland China. It examines how independent filmmakers and local authorities collaborate and clash, turning peripheral urban landscapes into improbable hubs for art-house and independent cinema. Driven on six years of multi-sited ethnography, archival research, and over fifty in-depth interviews at the FIRST International Film Festival and Pingyao International Film Festival, this book delivers a compelling, grounded look at how inland cultural production redefines the geography of the Chinese film industry and urbanism.

This book is intended for scholars, researchers, and postgraduate students in urban studies, economic geography, cultural studies, Chinese cinema, and media industries. It serves as an essential resource for those examining event-led urbanism, spatial politics, state-market relations, and cultural economies within contemporary China and across emerging markets and non-Western societies.